The Home of British Asian Writing
The short story has traditionally been an American love affair. Hemingway, Carver and Vonnegut are often cited among the ‘greatest’ of all time. Across the Atlantic, hundreds of new short stories are published each week through independent small presses, the New Yorker publishes one each issue, which is unpicked and put back together again during …
I remember when I first wanted to become a novelist aged eight I was aware of two things: the first was that there were no people like me writing ‘genre’ fiction and the second was that I didn’t care that’s exactly what I wanted to do. I wasn’t aware of just how big a task …
It’s been an interesting few years for British crime fiction. The market for crime novels has been growing steadily, and last year it became the most popular fiction genre in the UK with sales of almost nineteen million books. And yet, as recently as 2015, you’d be hard pressed to find one crime novel written …
Iman Qureshi has won the 2018 Papatango New Writing Prize for her play, The Funeral Director. The Funeral Director was chosen from 1384 entries to the competition, and explores the life of a gay Muslim woman who runs a funeral parlour and is ‘an incisive and heartfelt’ story of sexuality, gender and religion in 21st-century …
Preti Taneja has won the eleventh annual Desmond Elliott Prize, the UK’s most prestigious award for first-time novelists, (20th June). Taneja takes home the £10,000 Prize for her “awe-inspiring” debut novel, We That Are Young, beating fellow shortlisted authors, Gail Honeyman (Eleanor Oliphant is Completely Fine) and Paula Cocozza (How to Be Human). A retelling of …
I first had the pleasure of reading Priya Sharma’s work when I was a judge for the British Fantasy Awards in 2016, where she won Best short story for her tale “Fabulous Beasts” and I’ve been hooked ever since. So it was with bated breath that I waited for my copy of her debut collection …
Kali Theatre and Curve has launched a new initiative to search for South Asian women writers across 3 UK cities. Its mission is to discover, support and nurture the next generation of aspiring female playwrights – who currently are hugely underrepresented – and bring their rich, diverse voices and experiences to the stage. The programme, …
British Pakistani writer, Kamila Shamsie has won the 2018 Women’s Prize for Fiction for her seventh novel, Home Fire. (June 6, 2018) At an awards ceremony hosted in Bedford Square Gardens, central London – hosted by novelist and Women’s Prize Founder Director, Kate Mosse – the 2018 Chair of Judges, Sarah Sands presented the author …
Louisiana Catch, my debut U.S. novel, is about Ahana, a 33-year-old grieving daughter and sexual abuse survivor from New Delhi who must summon the courage to run a feminist conference in New Orleans, trust a man she meets over the Internet, and unravel the mystery of an online predator in order to find her power. …
The inaugural Portobello Prize has been awarded to Samira Shackle for Karachi Vice. A fresh and thrilling exploration of Pakistan’s largest city, Karachi Vice showcases an electrifying new voice in non-fiction. This glimpse of a city largely misrepresented and misunderstood is told with a clear sense of urgency and with a personal connection. It will …